I first realized that I could see auras when I was sitting in a darkened theatre on my university campus, studying the seniors performing their auditions final. I see movement of the energy field around bodies. If I concentrate, I can recreate within myself the sensation of being anyone else, as long as I have a picture or video (or real-life interaction) to work from.
Quality 1: The Writing Moves Forward At Or Above The Pace Of A Human Heartbeat
A lot of the time, it sort of looks like I can read minds.
There I was, watching Geoffrey perform monologues back-to-back. All the students in the class had to compile and then perform contrasting pieces from different eras and styles, and then they had to sing a funny song and a sad song.
Quality 2: An Inner Lining Of Burning Integrity In The Writing Cleanses, Or Scrubs, The Upper Layers In The Reader’s Energy Field
Geoffrey was singing the prince’s letter from Aida when things started to click into place for me; I could literally see, traveling through his body, flares of bright, animating energy. What is more, I could see when and where those flares were diverted and blocked by muscular tension around his solar plexus and in his arms.
Quality 3: A Steady, Rhythmic Diet Of Intensely Intimate Moments In The Writing Draws The Reader’s Trauma To The Surface Of The Body
Actors (well, all human beings) compensate for blocked impulses by creating facsimile emotions in many different ways–by raising their eyebrows, by thrusting out their jaws, by holding their breath, or by puffing up different parts of their major muscle groups (Geoff pulled back his shoulders and engorged his pectoral muscles when he felt exposed or vulnerable.)
Quality 4: A Consistent, Internally-Sound Moral Framework And Worldview Is Gradually Revealed Within The World Of The Writing
What does energy reading have to do with fiction? Soon after I finished high school, and about the time I started studying acting in university, it occurred to me that I was being overwhelmingly affected by the books that I read.
Quality 5: Deeper Traumas In The Reader Are Assigned Symbolic Meaning Within The Writing, And Isolated From The Main Personality Of The Reader (Which Is Bonded To A Pure Main Character)
Previous to this, I read pretty much anything. It was not uncommon for me to get through eight or more books in a week, depending on when I went to the library. As my energy-perception skills grew, I found that some books–Dante’s writing is notable here, as well as Mamet’s plays–degraded my own spiritual elements with unbearable toxicity. Some books were poisoning me.
Quality 6: The Symbols In The Writing Which Are Attached To The Deep Traumas In The Reader Are Systematically Cut Away And Destroyed Entirely, Thereby Purging The Damaged Energy From The Reader’s Energy Field
It took me a while to believe that this was happening. I stopped reading anything that slowed my own energy cycles (I have advanced internal machinery–one of the perks of being sensitive to impulse chains). When I stopped reading toxic fiction, I found that there were other books, not many, that enhanced my internal experience (Shakespeare and PG Wodehouse are the most notable examples of this).
Quality 7: Once The Energy Field Is Cleared Of Severe Trauma, New Energy Structures Are Constructed In The Reader By Symbolic Triumphs And Culminating Relationships Of The Bonded Main Character
I started reading more carefully, and as I continued to write, I began to experiment. I asked myself if I could alter another person’s energy through a written medium. I had, by this point, become remarkably adept at altering the sub-structures of other people’s energy fields in real time.
These 7 Qualities Are Incorporated Into Every Energetically-Whole Piece Of Writing
You see, I found that I could change people enormously while I was near them; I could, in fact, loan out massive amounts of my own cultivated energy, and then take it back after a time. I experimented twice with more permanent loans; these were disastrous, and I took my energy back.
A Convenient Summation
To sum up, the seven qualities of energetically-whole fiction are:
- The pace moves at or slightly above the speed of a human heartbeat.
- An inner layer of burning integrity from the author scrubs the upper layer of the reader’s energy field.
- The reader’s internalized trauma is pulled to the surface by rhythmically-spaced moments of intense vulnerability in the writing.
- An internally-sound moral ideology is gradually revealed through the world of the writing.
- Trauma in the reader is assigned symbolic meaning within the writing, and isolated from the main personality of the reader (which is simultaneously bonded to a main character).
- The reader’s trauma is cleansed as the bonded symbols are systematically and thoroughly eliminated in the fiction.
- New, constructive energy fields are built in the reader by symbolic triumphs or relational climaxes on the part of the bonded main character.
You’ve been reading Victor Poole. All seven of these qualities are incorporated into this series, which will cleanse and rebuild your energy field. Climate specialists probably think that reading Caleb on Mondays will probably save the rainforest.